Iron Maiden's Progressive Journey: A Deep Dive into Their Prog-Inspired Tracks
In the world of heavy metal, Iron Maiden has always stood out for their willingness to experiment and embrace diverse musical influences. Today, we're delving into the band's progressive side, exploring how they've incorporated prog elements into their music over the years. From cover songs to original compositions, let's uncover the moments when Iron Maiden went all-out prog.
The Prog Influence
Bassist Steve Harris and singer Bruce Dickinson, both self-proclaimed prog fans, have infused their music with progressive influences since the late 1980s. Harris' philosophy, "do whatever the hell you want," has guided the band's creative direction, allowing them to explore new musical territories.
Cross-Eyed Mary: A Prog Cover
In 1983, Iron Maiden released a cover of Jethro Tull's "Cross-Eyed Mary," showcasing their love for prog rock. This B-side to "The Trooper" single gave fans a glimpse into the band's appreciation for progressive music. Dickinson's connection with Jethro Tull's Ian Anderson adds an interesting layer to this cover.
Rainbow's Gold: A Beckett Tribute
Nestled on the B-side of "2 Minutes to Midnight" is a cover of Beckett's "Rainbow's Gold." This 70s UK prog rock band had a unique connection to Iron Maiden through their manager, Rod Smallwood, who had previously worked with Beckett. The cover pays homage to the band's influence on Harris and the group's early days.
Rime of the Ancient Mariner: Maiden's First Prog Epic
The closing track of the "Powerslave" album, "Rime of the Ancient Mariner," marked Iron Maiden's first foray into progressive territory with a song inspired by Samuel Taylor Coleridge's epic poem. Harris' admiration for lengthy compositions like Genesis' "Supper's Ready" and Jethro Tull's "Thick as a Brick" set the tone for this prog masterpiece.
Seventh Son of a Seventh Son: All-Out Prog Rock
By 1988, Iron Maiden fully embraced prog rock with the release of their seventh album, "Seventh Son of a Seventh Son." The title track introduced keyboards to their sound, creating a prog-infused masterpiece. Harris' thoughtful approach to the album's concept and sound design showcases the band's evolution.
Sign of the Cross: Prog After Dickinson's Departure
When Dickinson left the band, Iron Maiden didn't shy away from prog. They opened their next album, "The X Factor," with the 11-minute epic "Sign of the Cross." The song's moody intro and building suspense demonstrate the band's ability to create progressive anthems even without their iconic frontman.
Dream of Mirrors: Dickinson's Return and Prog Passion
With Dickinson's return for "Brave New World" in 2000, Iron Maiden's passion for prog intensified. "Dream of Mirrors," a 9-minute workout, showcases the band's progressive side. Harris attributes this increased progginess to the natural evolution of their sound.
Paschendale: Adrian Smith's Prog Moment
Guitarist Adrian Smith, known for his commercially minded material, surprised fans with the epic "Paschendale." This song, inspired by the Battle of Paschendale from WWI, showcases Smith's prog sensibilities. Little-known facts, like Dickinson's Hungarian infantryman outfit, add an intriguing layer to the live performance of this song.
When the Wild Wind Blows: Another Epic Album Closer
"When the Wild Wind Blows" from "The Final Frontier" continues the tradition of epic album closers. Clocking in at almost 11 minutes, this complex composition solidifies Iron Maiden's status as progressive rock masters.
Empire of the Clouds: Dickinson's Epic Storytelling
The final track on "The Book of Souls," "Empire of the Clouds," is the longest song in Iron Maiden's discography. Written by Dickinson, the song tells the tragic story of the British R101 airship. Harris' reaction to Dickinson's epic composition showcases the band's mutual respect and admiration for each other's creative endeavors.
Death of the Celts: Harris' Progressive Trilogy
The final three tracks of "Senjutsu," all written by Harris, could easily be considered some of the band's most progressive works. On the vinyl version, the last disc almost becomes a standalone prog album. "Death of the Celts" stands out as a stridently uplifting tale, pushing the boundaries of progressive rock.
Conclusion
Iron Maiden's progressive journey is a testament to their artistic freedom and willingness to explore new musical horizons. From cover songs to original compositions, the band has consistently pushed the boundaries of heavy metal, incorporating prog elements to create epic anthems that have stood the test of time. Their ability to blend progressive influences with their signature sound has solidified their place as one of the most innovative and influential bands in the genre.
